The Crucible By Arthur Miller - 1024 Words

Kana Gueye Ms.Freifelder American Literature November 13, 2015 Who’s to Blame? Arthur Miller wrote The Crucible to show the widespread hysteria that can occur when people panic. The Crucible takes place in Salem, Massachusetts during a time when neighbors were throwing accusations against each other about forming pacts with the devil and drinking blood. It is said that Abigail Williams is the main antagonist because she commenced the perjury that happens in the play. Being aware that Abigail s faults and flaws are quite obvious in the play, she most certainly does not deserve the blame for the outcome because the supporting characters of Reverend Parris, John Proctor, and Tituba and the other girls accused of witchcraft, all added their own deception to the pandemonium that occurred and were just as responsible for the play’s outcome. Reverend Parris is the first character in the story to share blame with Abigail. He is the father of Betty Parris and the uncle of orphaned 17-year old Abigail Williams. Parris was a widow and only concerned with his career and finances when he should have been more concerned with whom Betty and Abigail were keeping company. Many times, Reverend Parris has looked at children as little adults even leaving his own unattended with his slave Tituba who was from another culture had questionable practices of performing â€Å"charms† with the kids (Miller, ). Parris is described in the play: â€Å"At the time of these events Parris was in his middleShow MoreRelatedThe Crucible By Arthur Miller1269 Words   |  6 PagesAt first glance, the playwright Arthur Miller in The Crucible highlights the historical significance of the Salem Witch Trials of 1692, but in fact it is an allegorical expression of his perception of McCarthyism. If the reader has some background information on Arthur Miller’s victimization as a communist, it is evident that the play is a didactic vessel illustrating the flaws of the court system in the 1950’s. The communist allegations were launched at government employees, entertainers and writersRead MoreThe Crucible By Arthur Miller1681 Words   |  7 Pagesof their way to the last dying breath to make sure they leave with a good or bad reputation. In one of the recent literature study in class â€Å"The Crucible† by Arthur Miller, Miller uses characterization to illustrate reputation throughout the play. â€Å"The Crucibleâ⠂¬  takes place in Salem, Massachusetts. It is based upon the Salem witch trails. In â€Å"The Crucible†, we journey through the life of three characters who reputations plays a major role in the play. The three characters are John Proctor, AbigailRead MoreThe Crucible By Arthur Miller1333 Words   |  6 PagesAs the various characters in The Crucible by Arthur Miller interact, the dominant theme of the consequences of women’s nonconformity begins to slide out from behind the curtains of the play. Such a theme reveals the gripping fear that inundated the Puritans during the seventeenth century. This fear led to the famous witch-hunts that primarily terrorized women who deviated from the Puritan vision of absolute obedience and orthodoxy. Arthur Miller presents his interpretation of the suffering by subtlyRead MoreThe Crucible By Arthur Miller998 Words   |  4 Pagesmotivated by jealousy and spite. The Crucible is a four-act dramatic play production that was first performed on January 22, 1953. Arthur Miller used dialogue within the characters to cover the multiple themes; conflicts and resolutions, plus the few directions for the different actions of the play. The Salem Witch Trials were intended to be performed as the play however, when read, it can be more carefully examined and broken down to analyze the techniques. Miller, the playwright, uses literaryRead MoreThe Crucible By Arthur Miller1145 Words   |  5 PagesUnbalance Through The Centuries In Arthur Miller’s play, The Crucible, the author reflects the persecution of communists in America in the 1950’s through a recount of the Salem witch trials. It is often presumed that Miller based his drama directly off of events that were particularly prevalent in the years surrounding the publication of The Crucible- which was released in the year 1953, towards the conclusion of the Korean War. Although there was not a literal witch hunt occurring during this timeRead MoreThe Crucible By Arthur Miller1063 Words   |  5 PagesIn the English dictionary, there are three definitions of the word crucible. One is a metal container in which metals are mixed and melted. Another is a severe test. But the third definition, and the one that I think fits the best for this book, is a place or situation in which different elements interact to create something new. In my mind, this fits because all of the characters had their little grudges and dirty secrets. But when all th ose seemingly little things interact, they formed somethingRead MoreThe Crucible By Arthur Miller1285 Words   |  6 Pages Rationale, Morality, Stereotypes, Pressure, Self-Censorship, Unanimity, and Mindguards. Groupthink has also taken place in our history a a country. The play, The Crucible by Arthur Miller is about a the real-life Salem Witch Trials that happened in 1692 - 1693, in Salem, Massachusetts. Some symptoms of Groupthink found in the Crucible are Rationale, Pressure, and Self-Censorship. The Groupthink symptom, Rationale, is described as when victims of Groupthink ignore warnings: they also collectivelyRead MoreThe Crucible By Arthur Miller811 Words   |  4 Pages While The Crucible, by Arthur Miller, is only a four act play, it still resembles the format of a five act play. The five-act structure evolved from a three-act structure, which was made famous by Roman Aelius Donatus. Donatus came up with three types of plays: Protasis, Epitasis, and Catastrophe. The five-act structure helped to expand the three act structure, mainly made famous by Shakespeare through his many tragedies. Even though The Crucible contains only four acts, it still has the commonRead MoreThe Crucible By Arthur Miller1052 Words   |  5 PagesBuddy Al-Aydi Ms.Healy English 9 CP 14th October 2014 The Crucible Essay The Crucible was a novel written by Arthur Miller in the 1950’s. It was written in a format of the play, portraying an allegory of the Salem Witch-Hunts led by Senator Joseph McCarthy. The book is known to have a inexplicable plot. This plot is advanced by multiple characters in the book in order to ensure that the reader maintains interest with the material that is being read. The farmer, John Proctor, would be theRead MoreThe Crucible By Arthur Miller841 Words   |  4 PagesThe Crucible is a chaotic play, throughout this American classic Arthur Miller takes the reader through multiple events of terror and insanity. While creating a great on-stage play, Arthur Miller portrays his life through the events, the characters, and plot of The Crucible. Using vivid imagery and comprehensible symbolism, Miller manipulates the real personalities of the characters and events in 1600 Salem, Massachusetts to create a symbolic autobiography. Throughout this play, the reader experie nces

Simple agency Example

Essays on Simple agency Essay Arcane agency fiscal fund position Qs On October the fund balance in Arcane Agency account was zero. This is because the fund had not being apportioned by the central government’s agency to the Arcane Agency account and the agency opens its fiscal year on zero fund balance (Stanley and Lendren 2004). Qs 2. The central government’s budget agency apportioned $3500000 on October 2, 2011 and on October 3 Arcane Agency distributed $2750000 to its various operating units. Thus, the fund balance at Arcane Agency account is $750000. Qs 3. By October 30, 2011 the agency had not issued any other fund outside its account, thus, the fund balance at that date was $750000. Qs 4. The fund balance available in Arcane Agency account on November 3, 2011 amounts to $750000. Qs 5. On November 16, the fund balance in the agency account amounted to $750000. The agency by that date had not paid any amount of money to the material and supplies ordered from ABC and XYZ Company. Qs 6. Arcane Agency fund balance on November 29 amounted to $550000. This is because the agency paid $200,000 to ABC Company for the material and supplies. Qs 7. On December 1, the fund balance amounted to $(350000). This is because the agency by that date had paid $200,000 and $900,000 to ABC and XYZ Companies respectively for materials and supplies which exceeded the amount it had in its account. Qs 8. The fund appropriation by the Congress to Arcane agency on 1st October was $8000000. The amount that was apportioned to the agency on 2nd October by the central government budget agency amounted to $3500000. No other apportion was passed by 3rd November which means by that date the amount not apportioned amounted to $450000. Qs 9. The first allotment of the fund apportioned to the agency was done on 3rd October which means the agency on 2nd October had not allotted part of the fund apportioned. Thus, the fund not allotted on 2nd October is $3500000. Qs 10. On November 3, fund allotment to various expenses units was $2750000. Thus, the fund which was available for allotment by that date was $750000. Qs 11. On November 28, the allotted apportionment amounted to $2750000 and $300000 to various operating units on October 3 and November 16 respectively while $200000 was paid to ABC Company. Thus, the fund which had already being allotted to various uses amounted to ($2750000 + $300000 + 200000 = 3250000). Qs 12. On November 3 the apportioned appropriation amounted to $3500000 done on October 2. Qs 13. On October 15 the agency had not entered into any obligation, thus, its encumbrances was zero. Qs 14. On November 3 the agency was expecting materials and supplies from ABC and XYZ Companies amounting to $900000 and $200000 respectively (Stanley and Lendren 2004). Thus, its encumbrances amounted to ($900000 + $200000 = $1100000). Qs 15. On November 15 the agency received the materials and supplies it expected from ABC and XYZ Companies. Thus, the encumbrance on that date was exhausted, thus, it was zero (Stanley and Lendren 2004). Qs 16. On October 1 no fund had being apportioned to the agency, thus, the amount available for obligations was zero. Qs 17. The amount that had being apportioned to the agency and which was available to service obligations amounted to $3500000. Qs 18. There was no accrued expenditure on November 3 as there was no delivery of goods by that date. Qs 19. Accrued expenditure by November 16 amounted to ($900000 + $200000 = $1100000) from materials and supplies received from ABC and XYZ Companies respectively. Qs 20. The expenditures by November 29 amounted to ($900000 + $200000 = $1100000) for materials and supplies from ABC and XYZ Companies and ($2750000 + $300000 + 200000 = 3250000) for the funds allocated to various operating units. Reference Stanley, R and Lendren, P 2004. Performance based measures in transit fund allocation. Pennsylvania. Transportation research board press.

Prom Nights from Hell Chapter Ten Free Essays

It worked perfectly. Almost. There were six guards blocking the exits and another four at the door, checking everyone as they left. We will write a custom essay sample on Prom Nights from Hell Chapter Ten or any similar topic only for you Order Now Ten total. All in body armor and masks, explaining patiently that there had been a bomb threat and it was important to evacuate as quickly as possible. No one questioned why they were armed with the automatic weapons they kept using to push the crowd along. No one except Dr. Trope, who went up to one of them and said, â€Å"Young man, I ask you to keep your weapons away from my students,† distracting him just long enough for Miranda and Sibby to get swallowed into the middle of the crowd. They’d navigated by the first two storm troopers, with only two left when Ariel yelled, â€Å"Dr. Trope? Dr. Trope? Look, there she is, Miranda Kiss. I told you she crashed the prom. She’s right there in the middle. You have to-â€Å" Four men with automatic weapons suddenly swiveled and waded into the mass of students. Miranda whispered, â€Å"Duck,† to Sibby and the two of them bobbed beneath the surface of the crowd, crawling back into the Great Hall. Behind her she heard Dr. Trope saying, â€Å"Where is she? Where did she go? I’m not leaving one of my pupils in there.† And the storm trooper saying, â€Å"Please, sir, you need to evacuate. We’ll find her. Rest assured.† Miranda decided that if she got out of this alive, she’d be a lot nicer to Dr. Trope. If. She dragged Sibby over to Old Faithful and said, â€Å"In there. Now.† â€Å"Why can’t I hide in the White House? Why does it have to be in the volcano?† â€Å"I might need part of the White House. Please, just do it. They won’t be able to make you out if they have night goggles.† â€Å"What about you? You’re wearing white.† â€Å"I match the decorations.† â€Å"Wow, you’re really good at this. This planning stuff. How’d you learn how to-â€Å" Miranda was wondering the same thing. Wondering why as soon as she’d heard the announcement some part of her brain had started measuring her distance to the exits, looking around for weapons, watching the door. Her senses going into overdrive was a relief; it meant some of her powers were cooperating. But did she have the strength to take on ten armed men? The most she’d ever taken on at one time before was three, and they hadn’t been toting machine guns. She’d have to be crafty rather than direct. She said to Sibby, â€Å"Give me your boots.† â€Å"For what?† â€Å"To get rid of some of our competition so we can get out of here.† â€Å"But I really like these-â€Å" â€Å"Give them to me. And also a rubber bracelet.† Miranda set her trap, then held her breath as a guard approached. She heard him say into the walkie-talkie, â€Å"Southwest pillar. I’ve got one,† and saw the ribbons stir as he used the butt of his gun to push them aside. Heard him say, â€Å"What the-â€Å" And fired George Washington’s sugar nose at him with the slingshot she’d made out of Sibby’s rubber bracelet and a fork. All her target work paid off because it hit him at exactly the right point to send him plunging forward. He went down headfirst just hard enough to be disoriented and docile while she tied his hands and feet with the ribbons from the pillar. â€Å"I’m really sorry,† she said, flipping him over to gag him with a piece of dinner roll, then smiled. â€Å"Oh, hi, Craig. Not your day, is it? I hope your head’s feeling better. What? It’s not? It will. Try rubbing some insta-hot on your wrists and ankles when they untie you. Bye.† She’d just grabbed the boots she’d used at the base of the column as a decoy when she heard another guard coming fast from her left. She threw a boot at him Frisbee style and heard a satisfying swack as he fell down, too. Two down, eight to go. She was apologizing to the one she’d hit with the shoe, who was out cold-it was nice to know ankle boots were good for something-when the walkie-talkie on his belt came to life. â€Å"Leon, this is the Gardener. Where are you? State your position. Copy?† Miranda picked up the unconscious guard’s walkie-talkie and said into it, â€Å"I thought your name was Caleb Reynolds, Deputy. Why the Gardener stuff? Or, as my friend likes to call you, Plant Boy.† A crackle. Then Deputy Reynolds’s voice through the walkie-talkie. â€Å"Miranda? Is that you? Where are you? Miranda?† â€Å"Right here,† she whispered in his ear. She’d snuck up behind him, and now as he turned, her arm came around his neck with the heel of the boot pointed at his throat. â€Å"What are you stabbing me with?† he asked. â€Å"All you need to know is that it’s going to cause you a lot of pain and probably a bad infection if you don’t start telling me how many people there are here and what their plan is.† â€Å"There are ten in here, five more watching the exits outside. But I’m on your side.† â€Å"Really, Gardener? That’s not how it looked at the house.† â€Å"You didn’t give me a chance to talk to the girl.† â€Å"You’re going to have to do better than that. I’m not a mix tape, you can’t play me.† â€Å"Do you have any idea what she is?† † What she is? Not really.† His heart rate sped up now. â€Å"She’s a real-life flesh-and-blood prophet. The Cumean Sibyl. She’s one of ten people who between them supposedly know and can control the whole future of the world.† â€Å"Wow. I thought she was just an annoying fourteen-year-old with wild hormones.† â€Å"The Sibyl operates through different bodies. Or that’s what they think. These people I’m working with. Wack jobs. They pretend they want to protect her, keep her prophecies from being exploited by the unscrupulous, but I think they’re actually into extortion. I heard one of them say they could ransom the girl for eight figures.† His heart rate slowed as he talked. â€Å"My job was to find out where she was supposed to be picked up, so they could send someone there with some trinket of hers to show we had her, and get the Overseer to pay up.† Miranda didn’t like the sound of the word trinket at all. â€Å"But you weren’t going to?† â€Å"They’re just using this religion stuff as a cover for their greed. It’s disgusting. I’m all set to stop them, and then you†-getting agitated, his heartbeat spiking-â€Å"you come along in the middle and mess it up.† Miranda knew he was genuinely angry. â€Å"Stop them how?† â€Å"I was supposed to be getting the location of her pickup place from her, right? When you crashed in, I was going to tell her what to say, a place I’d picked out with the task force, then when the wackos went there, they’d be picked up by the police. Meanwhile I’d get the Sibyl safely to the real rendezvous. But you come in and blow it. Months of police work down the tubes.† His heartbeat was slow and even again. Miranda let him go. â€Å"I’m so sorry,† she said. He turned to scowl at her, changing it to a half smile when he saw what she was wearing. â€Å"Nice look on you.† He paused for a second, then said, â€Å"You know, there’s a way we could still make this work. Do you have another outfit like that?† â€Å"My skating uniform? Yeah. But it’s not the same color. It’s more blue.† â€Å"That doesn’t matter as long as it’s close. With you two dressed as twins we’ll be able to fool them into thinking that you’re the Sibyl, use you as a decoy while we sneak her out to safety.† Talking quickly, he outlined the rest of his plan. Miranda said, â€Å"It would be better if we wore the wigs and masks, too. To complete the disguise.† â€Å"That’s right. Perfect. Go toward the employee entrance, the one you used to sneak in. There’s someone guarding the outer door but there’s a door on the left that is clear. It goes to an office. I’ll deal with these guys and then come-â€Å" He stopped talking, lifted his gun, and fired behind her. Turning, Miranda saw he’d shot one of the guards. â€Å"He saw us together,† he told her. â€Å"I couldn’t let one of those bastards get you or tell the others. I’ll distract them, keep them over here. You get the Sibyl, change, and wait for me in the office.† She was already moving away when she paused and said, â€Å"How did you find us?† His heartbeat slowed. â€Å"Put out a bulletin on your car.† â€Å"I should have thought of that,† Miranda said, then took off as he radioed, â€Å"Man down-man down.† Sibby was frantic when Miranda got back to her. â€Å"What happened? Did you get shot?† â€Å"No. I got us a ride out of here.† â€Å"How?† Miranda explained as they changed, then skirted the edges of the Great Hall toward the director’s office. As they moved, she heard Deputy Reynolds barking orders to the guards, keeping them busy in other parts of the room, saying at one point, â€Å"No, don’t turn on the lights-that will give them an advantage!† At another, heard a grunt of pain that sounded like someone being knocked out. She was impressed. They reached the director’s office without running into anyone. Sibby sat in the desk chair. Miranda was pacing, walking back and forth to the ticktock of the big clock on the director’s mantelpiece, picking up and putting down objects, a crystal bowl, a box of stationery, weighing them in her hand. A family picture of a man, woman, two small boys, a dog sitting together at the edge of a pier with the sun setting behind them. The dog was wearing someone’s hat, a real full member of the family. A hand came down in front of the picture. â€Å"Hello, Miranda? I was asking you something?† Miranda put the picture down. â€Å"Sorry. What?† â€Å"How do you know you’re right about him?† â€Å"I just do. Trust me.† â€Å"But if you’re wrong-â€Å" â€Å"I’m not.† The clock ticked. Miranda paced. Sibby said, â€Å"I hate that clock.† Tick. Pace. Sibby: â€Å"I’m not sure I can do this.† Miranda stopped and looked at her. â€Å"Of course you can.† â€Å"I’m not brave like you.† â€Å"Excuse me? The girl who got-how many guys is it now? Twenty-three?† â€Å"Twenty-four.† â€Å"Twenty-four guys to kiss her? You’re brave.† Miranda hesitated. â€Å"Know how many guys I’ve kissed?† â€Å"How many?† â€Å"Three.† Sibby gaped at her, burst out laughing. â€Å"Gods, no wonder you’re so repressed. This had better work or you’ll have had one seriously sad life.† â€Å"Thanks.† How to cite Prom Nights from Hell Chapter Ten, Essay examples

Heroism in Sir Gawain and the Green Knight and Beo Essay Example For Students

Heroism in Sir Gawain and the Green Knight and Beo Essay wulf Heroism in Beowulf and Sir Gawain and the Green Night A hero, according to Websters New World Dictionary, is someone who commits an act of remarkable bravery or who has shown great courage, strength of character, or another admirable quality. He is looked up to for the brave and noble things he has done. Though Beowulf and Sir Gawain are both considered heroes they each have many different qualities. For Beowulf his reputation as a hero depends on the opinion of others within his society, for Gawain Christianity determines his bravado. In order to understand how they are both considered a hero in their society we must look at the many differences their respective societies possess. One major difference between the society that Beowulf lived in and the one Sir Gawain lived in is their views on religion. In Sir Gawain and the Green Knight, the world described is one of order, where Christianity plays an important role. Sir Gawain fits perfectly into this world as a Knight who is brave not because he naturally possesses this bravery, but because he puts his faith in God. Beowulf on the other hand describes a world where religion and manners were not important. Beowulfs actions are judged by others and how they affect society, and not by any religious force. As an epic hero, Beowulf possesses the qualities of valor, loyalty, generosity, and honor. He fights because he must in order for his nation to survive. Although he is a hero he is constantly aware of his own mortality, and it is in battle that his bravery is tested. The epic hero lives in a honor/ shame society, where a mans good name is his most prized possession. Because Beowulf lives in a hierarchical society it is important for him to defeat Grendel, his mother and the dragon. Genealogy is very important in the hierarchical society, so if he had failed he would not only bring shame to himself, but to his family and nation. Beowulfs greatest value is his bravery, although it may seem that his bragging is un-heroic. It is however necessary for Beowulf to deliver his oral resume in order to be given the respect he deserves. It is not that Beowulf is not in search of fame, because he is, it is just that he accomplishes getting fame by helping others and defeating menaces to their society. He does not lie or manipulate others to achieve recognition; he uses what is rightfully his, he bravery. The virtues of a chivalric hero are similar to the epic hero including, valor, generosity, loyalty, honor and skill in battle. One main difference is the significance given to loyalty during this era. It is also necessary for the chivalric hero to possess temperance, courtesy, respect for women and courtly skills. He must be able to perform in court and also on the battlefield. Similar to heroic poetry, the chivalric knight is tested through feats of arms. One major difference is in their motivation. An epic hero will only go into battle when necessary, while the chivalric hero will set out to find an adventure in which he can prove himself brave. The chivalric hero will rarely fight in order to defend his people, but rather in defense of a particular ideal. Another major difference between the two is in the type of internal battle they engage in. Beowulf, our epic hero, is tested in physical battle against a monster, as epic heroes need to prove themselves against another. Sir Gawains task is spiritual, and psychological. He must pass all the requirements of the chivalric knight in order to be successful in battle. Beowulf and Sir Gawain are such vastly different characters that the term collapses into a concept totally dependent on its context. The criteria upon which they are each judged is vastly different because of the different times their stories take place in. In Sir Gawains world those who obey the religious, social and chivalric codes of his realm can be considered a hero. .u9233248a2bbe275d495e1e5fd481873d , .u9233248a2bbe275d495e1e5fd481873d .postImageUrl , .u9233248a2bbe275d495e1e5fd481873d .centered-text-area { min-height: 80px; position: relative; } .u9233248a2bbe275d495e1e5fd481873d , .u9233248a2bbe275d495e1e5fd481873d:hover , .u9233248a2bbe275d495e1e5fd481873d:visited , .u9233248a2bbe275d495e1e5fd481873d:active { border:0!important; } .u9233248a2bbe275d495e1e5fd481873d .clearfix:after { content: ""; display: table; clear: both; } .u9233248a2bbe275d495e1e5fd481873d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9233248a2bbe275d495e1e5fd481873d:active , .u9233248a2bbe275d495e1e5fd481873d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9233248a2bbe275d495e1e5fd481873d .centered-text-area { width: 100%; position: relative ; } .u9233248a2bbe275d495e1e5fd481873d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9233248a2bbe275d495e1e5fd481873d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9233248a2bbe275d495e1e5fd481873d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9233248a2bbe275d495e1e5fd481873d:hover .ctaButton { background-color: #34495E!important; } .u9233248a2bbe275d495e1e5fd481873d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9233248a2bbe275d495e1e5fd481873d .u9233248a2bbe275d495e1e5fd481873d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9233248a2bbe275d495e1e5fd481873d:after { content: ""; display: block; clear: both; } READ: Issue In Institutional Racism Essay In Beowulf those who actually create and support society itself are considered heroes. Bibliography: .